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Hi
Billie and Herb! I have been looking forward to this interview with you
since I worked with you on East of the Sun for Whiskey Creek Press
Torrid books. That was a fun experience for me both from the aspect of
working with you and for such an enchanting story.
Billie: Hi Gina. It was an
enjoyable experience for us too. You did a great job of editing the story.
Herb: Fairy tales are not my
specialty, but I did enjoy working with you and Billie on EAST OF THE
SUN.
On your
website it says you have been writing as a team since 1990. Were one or
the other of you writing fiction before that?
Herb: No, although I had written
many technical and how-to articles and a lot of proposals for projects,
this was my first attempt at writing fiction.
Billie: Same for me. I have been
writing poetry since I was ten years old and I’d written essays and
articles, and designed and developed school curriculum, but this was my
first try at fiction.
What led you
to try writing as a team?
Billie: I started writing a
novel in the summer of 1989. About halfway through the book, I was
struggling to write a fist-fight scene between my hero and my villain and
getting nowhere. I asked Herb to read it. He did and then he rewrote it
and what he wrote was light years ahead of anything I’d done, so I
incorporated his scene into my book. I thought, he’s pretty good at this,
so I began to ask his advice about a man’s point of view and to get him to
write descriptions of things he’s seen and I hadn’t, or subjects he knew
about and I didn’t. Finally, one morning he said, “You know what? If I’m
going to do half the work, I deserve half the credit.” I think he might
have been joking but the more we talked about writing as a team, the more
it appealed to both of us. Our collaborating evolved from there.
Herb: <Big grin> I had no idea
then what I was letting myself in for.
What was your
first book?
Billie: The first book we had
published was titled A LOVE LIKE MINE.
Herb: The title was later
changed to A TENDER LIE. It’s still available at New Concepts
Publishing.
How has your
collaborative style changed, if at all, since you started writing together
sixteen years ago?
Herb: When we first began
writing as a team, it was difficult. Over the years we have learned,
through trial and error, to move from sharing in a common effort, to
bringing together two efforts into a united whole.
Billie: The word collaboration
has two meanings. One definition is sharing the same goal; the other is
cooperating with the enemy. Sometimes our collaborative writing involves
both. <Sly smile>
Interesting
transition Billie made from history to educational psychology. How do you
see that playing into your stories?
Billie: Being a student of
history makes me very careful about research and helps give me a ‘feel’
for other times and places. Some knowledge of human behavior lends insight
into why people act and react as they do. It also makes me know that there
are no explanations for some of the things human beings do.
Herb, after
that technical, policy oriented world of computers and the Air Force, what
was it like for you to move into fiction?
Herb: I had some adjusting to do
in terms of style and technique. I still have problems with what I tend to
consider superfluous words. I have come to accept that in fiction,
imagination takes precedence over instruction and emotions are more
important than explanations.
Your website
also says “The plots revolve around ordinary
people caught in extraordinary circumstances and faced with difficult
decisions.” Was this a natural out flow from how you saw yourselves
writing or was it your mission statement (so to speak) when you started to
write?
Billie: It’s how I see myself
writing. I have always been intrigued by how different people react when
confronted with difficulty or disaster and how adversity can sometimes
have a positive effect and cause human beings to grow and learn and
change.
Herb: It’s how I see myself
writing. I try to create characters that are consistent enough to be
believable, complex enough to be interesting and unique enough to be human
and then challenge them by putting them at odds with people and/or
elements in the world around them.
In June you
had two books released with Whiskey Creek Press, a Torrid and a General
line romance. How did that feel?
Billie: I
was, and still, am, very excited. I love both of these books.
Herb: It’s exciting for me when
we have one book published. It’s doubly so when we have two coming out in
the same month.
Did you feel
pulled in one direction or the other when you were working through the
editing process?
Herb:
Sometimes I argued with myself over minor differences or changes.
Billie: So did I and when that
happened, I always went with the choice that I thought best told the
story.
I’d like to talk about
Hostage for a minute, one of the stories from New
Concept’s Captured Anthology. Did you have much
communication with the other authors or was each story a creative endeavor
on its own without a working group?
Herb: We had no communication with the other authors.
Billie: New Concepts announced
about the anthology and called for submissions. We sent HOSTAGE to
them, and fortunately for us, they accepted it.
Where
did the idea for Hostage come from?
Herb: We wanted to write a story
to submit to the anthology CAPTURED. Billie came up with the idea
of an outlaw taking a young woman hostage. That was our starting point.
Billie: At first we made the
young woman a missionary. After outlining about three chapters Herb said,
“This is not working.” So we did a complete about-face and made her a
prostitute. Then the story began to take shape.
Raul
from Hostage is such a compelling man. It was
fascinating to see how his own ethics conflicted in their own way and
heart warming when his father spoke with him to help him see which way he
should go. Is Raul based on anyone you know in particular?
Billie: Raul wasn’t based on any
particular person. He’s a composite of my idea of a Latin hero and Herb’s
concept of a how a good man, bent on revenge, would think and behave.
Herb: I am fascinated by
fictional characters that are at odds with themselves and beset by
ambivalent emotions.
Janalee had a
few questions for you on East of the Sun, a marvelous
fantasy that transports the reader to another time and place.
How many
different fairy tales did you draw from in crafting East of the
Sun?
Herb: Hi Janalee.
For me, it was only one. Billie has quite a collection of fairy tale
books. My taste runs to Zane Gray, Louis L’Amour and Elmer Kelton, anyway,
before we began to outline the story, she insisted that I read EAST OF
THE SUN AND WEST OF THE MOON from Andrew Lang’s Blue Fairy Book.
Billie: Hi
Janalee. The premise for the story is based on the story in Andrew Lang’s
book. I have been reading fairy tales since I was six years old, and love
them. Where else can one find a universe where all dreams come true and
there is always a happy ending? I drew from that background to capture
the mood and spirit of the story.
Will you be
doing any other story like East of the Sun?
Herb: We’ve
already done another take-off on a fairy tale and submitted it to New
Concepts for an anthology. It’s a westernized comedy version of Blue
Beard.
Billie: And we
plan to do several more. I am fascinated by the myth and magic of fairy
tales.
Pearl's character is very endearing. Was she an easy character for you to
identify with?
Billie: I love
Pearl for her innate goodness and her determination. I respect her
strength and can only wish I had her patience and forbearance in the face
of adversity. I identify with her to the point of wishing I could be as
dedicated and strong-minded as she.
Herb: I wanted
Pearl to be strong and at the same time soft and feminine. I’m more than
pleased if she comes across to the reader as embodying those qualities. I
identify with her love for her family and her search for true love.
Leah also had some questions for you on several of your books she asks:
Honky Tonk Cowboy
and A Tender Lie both feature heroines with
conflicted pasts that cause the townspeople to gossip about them. They
are also set in the same town. Are these two books related? Was it a
conscious decision to feature women scarred by gossip and past mistakes?
Herb: Hi Leah.
They are not related in any way except the setting is the same. We both
grew up in a little city in far West Texas and we seem to gravitate toward
writing about life in small towns.
Billie: Hello
Leah. These are two of our earlier books when we were very much into
writing about ‘scarlet women’. It wasn’t a conscious decision so much as
it was our early, rather narrow vision of what constituted a romance. We
have grown since then and our view has broadened considerably. So has our
willingness to experiment and to take chances.
Love Will Find a Way
was an
excellent story about acceptance, growth and reconciliation. What was the
inspiration for this story and will there be any follow up stories
featuring the secondary characters?
Billie: The
inspiration for this story came from something that actually happened to a
friend of mine. Her husband took her away on what she thought would be a
romantic weekend trip. When they got there, he asked her for a divorce.
Herb: We hadn’t
thought of a follow up story but it sounds like a good idea.
Another Time was a very intriguing story based on past
lives. Do you believe in reincarnation?
Billie: I
certainly haven’t ruled it
out.
Herb: It would,
for me, explain many of this life’s inequities.
What made you base a story on that theme?
Herb: we wanted to
write a paranormal romance and hit upon the idea of writing about
star-crossed reincarnated lovers searching for each other through the
ages.
Billie: All that remained then was to work out the details.
I’d like
to talk for a bit about You Belong to Me. What I
personally liked about this book was, well, there were a couple if things
that has put it on my “keeper you need to read again” list. In
You Belong to Me you tell the story of two couples, Julie and
Max and Shannon and Brett. Was it hard to write the two love stories in
one?
Billie: In some ways it was. We
didn’t want Shannon and Brett’s romance to overshadow the story of Julie
and Max.
Herb: Shannon’s character was a
challenge. She had to be young and impetuous and at the same time wise
beyond her years.
And one thing
I really liked was that with Julie and Max you give readers a glimpse of
something I think so many of us wish—to go back and have the same thing
happen again, only this time, with the wisdom of growing up and it’s
attendant adversity, get to do it right. Was that an intended gift for
your readers or did it turn out that way?
Billie: It was intentional, and
I am so pleased you recognized that theme that runs through the story from
beginning to end. We wanted to explore the possibilities and problems of
what would happen if one couple was given the opportunity to ‘do it all
over again.’
Herb: How many times in my own
life have I said, if I could just go back and do it again, this time I’d
get it right? I’m not sure I would, but given that opportunity, there are
some things I’d do differently.
In
A World Apart you tell a really good story about being on
opposite sides of the fence in terms of money and privilege and how a
couple that is meant to be together find each other and their own common
ground. I love the premise of Gayle’s meeting Alex for the first time.
Where did you get the idea from.
Herb: I can’t claim any credit
for this bit of genius. It was all Billie’s idea.
Billie: I got the idea when I
heard my hair dresser tell about how she once had an emergency call to
come to a young woman’s home and redo her hair after she’d stepped into
the upstairs bathtub and accidentally turned on the shower an hour before
her wedding ceremony was scheduled to take place downstairs.
For Billie—of
all your female characters, which is most like you and which would you
most like to be like?
Billie: That a difficult
question but given a choice I’d select Emily Franklin in LOVE WILL FIND
A WAY. She’s a strong woman with a lot of moral character. She’s also
loving and caring. Most of all she has a forgiving spirit.
For
Herb—of all your male characters, which is most like you and which would
you most like to be like?
Herb: I like Max Anderson, the hero in YOU BELONG TO ME.
He’s made a lot of mistakes in
his life but most of them were with the best of intentions. When he’s
given the chance to reestablish a relationship with the only woman he has
ever loved, he jumps at the opportunity and he’s willing to endure pain,
heartache and rejection in order to win her love again.
This is one of
my favorite questions to ask Lifetime has come to you to do a make one of
your books into a movie. I know which one I would choose…which would you
choose and why?
Herb: I’d choose HONKY TONK
COWBOY. It has some action scenes that would be great in a movie.
Billie: I’d choose EAST OF
THE SUN. I’d love to see the magic of the story come to life on the
screen.
Who would you
cast in the starring roles?
Billie: I’d choose Reese
Witherspoon to play Pearl. She’d have to change her hair color. And I
think Ben Affleck would be perfect in the role of The Prince.
Herb: I would like to see
Angelina Jolie play Sarah. She’d have to agree to a dye job too. And I’d
cast Matt Damon in the role of Blake Hamilton.
Getting back
to the nuts and bolts of your writing, what influenced you to get
published?
Billie: We always wrote with
the hope we’d be published. When we heard that New Concepts was looking
for romance stories, we submitted to them and they accepted the story.
Herb: Before that opportunity
came along, we had enough rejection slips from agents to paper a room.
Did you always
intend to be a husband/wife writing team?
Herb: We’d been married for a
lot of years before we began our joint writing career. I don’t think we
can say it was something we intended in the beginning.
Billie: We didn’t set out to be
writing partners, it just kind of happened and it’s been quite an
adventure.
How long did
it take you to get your first book published?
Herb: We completed our first
novel in the spring of 1991 and our first book was published in January of
1998.
Billie: During that time we’d
completed two other novels and written several essays, articles and short
stories that had been published, and I had published a book of poems.
Often a
writer’s first book is the toughest to write.
Herb: That is certainly true in
our case. We were not only learning how to write fiction we were also
learning to write as a team.
Billie: And in some ways
collaborative writing is even more complex and demanding than writing solo
because it involves the sharing of thoughts and beliefs and the merging of
intimate feelings and personal views.
Do you ever
get writer’s block?
Herb: I think all writers suffer
at one time or another from writer’s block. I’m no exception. Thank
goodness it’s seldom serious, and never of long duration.
My writer’s block is apt to show
up in the middle of a story. I’m always enthusiastic at the beginning and
ending of a project.
I’d be
surprised to hear writers block would hit you at the same time, so what do
you do to help each other move past it?
Herb: Billie is a perfectionist.
When she I get bogged down in trivialities and details, I remind her that
no work of fiction ever reaches absolute perfection.
Billie: Sometimes Herb tires of
repeatedly re-writing a scene or a description. When that happens I tell
him that everyone has to work hard to produce a good piece of writing.
Do you usually
outline your stories before you write them, or do you "go with the flow"?
Billie: We always make an outline first. We do it by chapters.
Herb: We seldom follow the
outline completely, but it gives us a base to start from and that’s
important when two people are working on one project.
Are you
working on anything right now and can you tell us a teaser about these
projects?
Herb: Yes, we are. We have two
stories that are out-of the-outline-and into-the-writing-stages. One is a
contemporary romance about a vulnerable young woman and a tough Marine
Sergeant who are instantly attracted to each other when her brother brings
him home for the Christmas holidays.
Physical attraction
aside,
can two people who are so far
apart in every way, ever hope to establish any kind of lasting
relationship? The tentative title is RULES OF ENGAGEMENT.
The second is a historical set
in 1872.
The tentative title is LITTLE NELL. It’s an unusual love story set
against the backdrop of range wars, vigilante bands and the arrival of the
railroad in a small Texas town where change is more revolution than
evolution.
Billie: We have two projects
that are still in the outline-planning-stages. The first is a
contemporary romantic comedy about a down-on-her-luck young woman who
inherits a country home from an aunt she never knew existed. She arrives
to discover that she has a tenant, a handsome, arrogant, obstinate man who
insists that he has a ten year lease on his upstairs suite of rooms and
along with that, kitchen privileges. And her aunt’s will states that to
inherit her home, she must live in the house. We don’t have a title for
this one yet.
The second is an erotic take off
on the fairy tale PUSS-IN-BOOTS. It’s about a clever furry female
feline who wears, not boots, but spike heels when she sets out to capture
a prince for her beautiful but naïve young mistress. The story will be
told from the cat’s point of view. The tentative title is PUSS-IN-HIGH
HEELS.
Any final
advice to aspiring authors?
Herb: Be true to your own
creative passion. Decide where your book is begging to go and then take it
there.
Billie: What can I add to that,
except to say, memorable moving books are not written from a sense of
anything but the writer's deepest and most honest convictions?
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